The only way to get where you want to be is to practice. And have a reason to practice. I like to listen to players with great sound: Bill Watrous, Chris Botti, Maurice Andre, Bobby Shew (and hundreds more). I also love ballads. To me they are the most difficult to play. And I also like technical virtuoso’s and firey playing like Maynard Ferguson and Wayne Bergeron as well. When practiced daily, for ALL brass players, the Cichowicz Flow Studies, Caruso Isometric exercises and the Lip Flexibility Drills, (especially the Frank Brown Lip Slurs) have helped me and my students develop characteristic sounds, range and endurance. My students do all of these in each lesson. We also sing our parts as close to in tune as possible. And we whistle our parts. The most important thing that we do in lessons is to listen to our sound and to play music. I ask my students what they like and then we play. No matter if it is pop, movie themes, video game themes or whatever. The point is that you have to play and love what you play. We llose that as band directors in school because we are faced with preparation for performances and competition. But it is importan that we remember that making music and more importantly making music together with others is one of the most important things we can do. Playing music we love drives us to learn the techniques to play it well. It provides you with powerful essential tools to produce a charming sound music. Moreover, it is also famous due to its user-friendly automatic and appealing interface which helps you lot. Although, with all these features it becomes easy to create music as you want. Artpro 7 5. Vincent cichowicz flow studies pdf Vincent cichowicz flow studies pdf This is Flow Studies Volume Two with Russian Studies. I use Clarke Technical Vincent cichowicz flow studies pdf, Clarke Characteristic Studies, Arban, Schlossberg, plus major scales and chromatic scales. It has a little of everything in it to really develop your playing. Take three seconds, only three seconds. As soon as you are ready you put your book (out), you get your horn, get a glass of water, sit down, and then take three seconds, look up, and say “Thank God.” Three seconds. The frame of mind that’s gonna create because you’re so grateful; you’re so glad that instead of doing something else, you’re about to start practicing. You take it as a gift from God.” • Arturo Sandoval Below are free copies of fundamental sound development studies that I use with all my brass students. Trumpet With my students and in my personal practice, I use: Vincent Chicowicz Flow Studies, Arban, Clarke Technical Studies, Clarke Characteristic Studies, Phillip Farkas French Horn Method, Lip Drills – Schlossberg, Carmine Caruso, Arnold Jacobs, Greg Spence, and Arban St. These materials cover scales, arpeggios, intervals, tonguing, etc.in addition to this there are scales and arpeggios, interval studies, articulation studies and others.
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